1995:
A kid at school gets hired by his drama tutor for his first professional acting gig. He makes £20 a day. A day. His allowance is currently £40 a month. He learns to perform, to spin an audience into a little ball in the palm of his hand and…PING! flick them off into laughter, tears and anger.
1999
The same kid, having done a little extra work in between while he finishes school, lands himself a national tour. He travels around Scotland for nine weeks. He grins at people when they ask what he does.
“I’m an actor.”
He learns to sword fight, to wire plugs and pyros.
He learns to juggle.
He learns to crave applause, to push a little harder with each show to get an extra whoop of approval from the crowd.
2002
The kid moves to Edinburgh, home of golden paving slabs and slavering directors ready to hire him, to propel him to stardom.
It turns out?
He’s not the only young actor in town.
He lands a job at a local tourist attraction for the summer, in make-up and costume he performs to thousands of tourists.
He makes them laugh and scream.
The summer ends and so does his contract.
He needs to pay the bills.
He hears of a job from a colleague, her Mum needs someone to run a photocopier in a Civil Service department.
He turns up for the interview and when asked “Are you interested in government or the law?” he falters.
She smiles kindly.
“Do you need the money?”
He nods, she’s honest.
“That’s ok. We all work for money…I think you’re overqualified to do our photocopying. Have you ever worked in a library?”
He has.
He lands a job.
2006.
Four years have passed.
He’s learned intricacies of Scots Law and the cataloguing of legislation that make most people’s brains leak, slowly,down their nose.
He is taught to bow to three different depths, dependent on the context in which he meets people.
He learns a new language of legalese.
He acts a little, but accepts he’ll never be a performer.
He researches sentences for sex criminals. Child murderers.
He runs documents in and out of courtrooms in which landmark cases are being discussed.
It’s a performance, but there’s no applause.
No whoops.
Snow falls each winter into the square outside his desk, covers the statues outside, the grey block walls and ornate collonades.
He stews, desperate for a challenge.
One morning he stares at the tiles in the shower and realises that if he wants to be a civil servant for the rest of his life, he’s doing it right.
If he wants to be a paramedic, like he knows he wants to be, he’s going to have to do something about it.
He does something about it.
2008
He’s working as an ambulance technician on a pushbike at the Edinburgh Festival when he receives an emergency call.
A street performer has climbed onto railings and slipped, ripping the flesh from one side of his hand.
He cycles fast, sprays water into the wound under pressure and dresses it as best he can.
2009
He’s back on the bike. He sees a familiar face.
“How’s the hand?”
The performer shows him a jagged scar.
“The surgeon says my nerves are fucked, they’ll have to transplant.”
2010
He’s patrolling the City Centre and swings into Parliament Square, late afternoon sunshine has dipped below the high buildings that once housed his office.
He peers with interest at the windows as he passes and narrowly avoids cycling into two little lads playing with diabolos.
“Fucking Fringe visitors…” he grumbles to himself.
One of the boys neatly steps back, flicks one stick and sends his diabolo spinning into the air before elegantly catching it.
At the side sit a couple, one of them waves a nearly perfectly healed hand.
“Is this the guy who patched you up?” asks his wife.
They chat.
The two boys, their sons, turn tricks with the diabolos.
He watches them and says to his new friends.
“I haven’t thrown one of those in years.”
His patient reaches into a bag and passes him a diabolo and sticks.
“Wanna go?”
He’s torn.
He’s a grown-up, with a grown-up job.
That’s his past life, who he used to be.
What will people say when they catch a paramedic juggling in the car-park of the Supreme Court?
He takes the sticks and slowly spins the diabolo on the string, remembering the balance points, tilting the sticks back and forth.
He gets braver, whips the string around the axle a couple of times, remembering the fizzing whirr of rope of metal.
He gently hops it a few feet, catches it on the string.
“Higher…” the patient’s wife calls.
Another few feet.
“Higher…” the kids say.
Ten feet, he still catches it.
The patient loses patience.
“Go on. Just fucking throw it. Do it.”
He slams the strings apart and the diabolo rockets into the sky, above the roof level of the surrounding buildings, catching on the sunshine at its new altitude before falling back to the outstretched strings.
Three sections of his life shiver, realign themselves and fall into a new frame.
He wraps the strings back around the sticks and hands the equipment back.
Maybe he’ll go buy one.
It’s been a while since he threw a diabolo….